Gustavo (the handsome one in the sweater vest) embodies a focus on detail and connection. Let me explain each step, one at a time.
I started with several iterations of the body shape and features (shown on each bear). With the final pattern being straightforward, I took special care to add cute details: the little tail tuft, extra fabric on the face to create a snout, and small stitches to define the postures.
For added detail, I included little flowers and leaves on the friends' heads. I saved the best for last when sewing Gustavo’s vest. It began with a felt base, and then I added whip-stitched and back-stitched embellishments, finishing it off with my favorite bead from the junk drawer.
However, my favorite part of this design is its purpose. I made these for my friends to share, giving them a small piece of me. These are just a few from my growing collection.
Geoff
Gustavo
Gretta
AND friends
Gustavo
mini bag
Flutter
Flutter metamorphoses from a backpack to a crossbody bag through its multiple clasp locations and adjustable straps. It also features two compartments with a hidden pocket.
The process of making Flutter was a slew of new skills.
I worked with various new materials: bias tape, interfacing, leather, and hardware. I also learned how to customize zipper lengths and add hidden zippers.
In addition, Flutter was my first application of industry-standard practices I had learned from my mentor. I ensured that every piece of fabric was properly ironed or steamed before and after sewing. Additionally, seams and allowances were pressed flat for a neater and more accurate product. Lastly, I learned about proper pattern-cutting techniques and tools.
My most time-consuming endeavor was pattern placement. I aimed for a dynamic design while minimizing fabric waste. I began by identifying my favorite part of the print and cutting the front pattern pieces from that area. Then, I based the rest of the design around that panel, getting creative to fill in the extra or awkward spaces with smaller pieces.
